Posts Tagged: Philip Glass

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nprmusic:

Hear Beck’s new 20-minute song, “NYC: 73-78,” which includes snippets from more than 20 Philip Glass pieces.

Source: nprmusic
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I met Philip Glass tonight, but that was only the icing on the awesomecake of the evening. 

The CSO had a world premiere of a cello concerto by Glass, based on a film score he’d previously created. The piece was simply wonderful, and I fell some kind of in love with cellist Matt Haimovitz

But this blog will never be my deeply artistic thoughts about a program. I leave that to greater ears than mine. What impressed me most tonight was Glass himself. He spent an hour at an open reception after his premiere (paired with Bruckner 6), and I stood there for most of that time watching him interact with our patrons. 

What a genuine, compassionate, patient, giving man. Glass, 75 years old and the most well-known living composer in the world, has the kind of clout that would allow you to phone it in. Right? Would anybody stop him if he left after 10 minutes? Who would be surprised if he were a bit of a diva, didn’t want to take photos, wouldn’t personalize autographs? 

But I watched him for an hour. Standing the entire time, he greeted each person by name, spent a few minutes really talking with them and giving them his attention. Signing things, snapping pictures. Some of my friends approached him— one, an elementary school teacher, requested a video greeting that she could show her classroom. He graciously acquiesced. 

I should also mention that he’s here for a residency, which is definitely a more in-depth engagement than we get with many artists. Glass is the CSO’s Creative Director for the Boundless series this season, and so we have more access to him than we might have otherwise. 

Glass seemed pleased (naturally) that there were so many young people in attendance, and so many people from out of town. (One of my friends had driven ~4 hours for this performance, before she even knew she was going to get to meet him.)

Still… I walked away respecting Philip Glass as a person, outside of being an amazing composer and visionary. I hope he was completely exhausted by the positive attention he received tonight— that he felt respected, adored, revered. How he has stayed so down-to-earth and approachable is beyond me!

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  • Question: I haven't been to a classical concert since a field trip in fifth grade. I'm interested in going now, so how do I decide which concert to attend? - fancychickens
  • Answer:

    Aah! Such a big and delicious question! (And one I’ve struggled with too.) 

    In the interest of brevity, I’m going to oversimplify but I’ll come back to this in the future. Here are two suggestions I have: 

    1. At least with the CSO, the season is broken into series. We have three: Masterworks, Boundless and Ascent, and each is meant to cater to showcase different kinds of classical music. Masterworks focuses on the timeless classics; Boundless is about discovering new music and is often where you’ll see work by living composers; Ascent is built around “a night on the town” and often has a superstar soloist. Again I’m oversimplifying but it’s a great place to start. I will come back and cover our Creative Directors in another post. 

    2. Figure out your instrument(s). This may be a very obvious statement for someone who studied music, but I didn’t. If there is an instrument that speaks to you, that narrows down the selection immensely. Almost every concert (of ours) has a piece featuring a soloist. The big two are piano and violin, but in 2012-13 we also have vocal concerts, percussion, alto sax, and a couple of others. If you’re into cello there are also two opportunities in our remaining season, including a world premiere of a Philip Glass cello concerto